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Although Heilig was unsuccessful in his efforts to market Sensorama, in the mid-1960s he extended the concept to a multiviewer theatre principle patented as the Experience Theater and a similar system called Thrillerama for the Walt Disney Company. The seeds for virtual reality were planted in a number of computing fields during the 1950s and '60s, particularly in 3-D interactive computer system graphics and vehicle/flight simulation.

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Navy, and its successor job, the SAGE (Semi-Automated Ground Environment) early-warning radar system, moneyed by the U.S. Air Force, first made use of cathode-ray tube (CRT) display screens and input devices such as light pens (originally called "light weapons"). By  Research It Here  became operational in 1957, air force operators were routinely utilizing these devices to show airplane positions and manipulate related information.

The introduction of more inexpensive second-generation (transistor) and third-generation (integrated circuit) computer systems emancipated the devices from this narrow view, and in doing so it moved attention to methods which computing might enhance human potential instead of simply alternativing to it in specific domains conducive to number crunching. In 1960 Joseph Licklider, a professor at the Massachusetts Institute of Technology (MIT) focusing on psychoacoustics, posited a "man-computer symbiosis" and used mental principles to human-computer interactions and interfaces.

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As founding director of the new Details Processing Techniques Office (IPTO) of the Defense Advanced Research Study Projects Agency (DARPA), Licklider was able to fund and encourage tasks that lined up with his vision of human-computer interaction while likewise serving concerns for military systems, such as data visualization and command-and-control systems. Another pioneer was electrical engineer and computer system scientist Ivan Sutherland, who began his work in computer system graphics at MIT's Lincoln Lab (where Whirlwind and SAGE had been developed).

Sutherland paid careful attention to the structure of information representation, which made his system useful for the interactive manipulation of images. In 1964 he was put in charge of IPTO, and from 1968 to 1976 he led the computer system graphics program at the University of Utah, among DARPA's premier research centres.